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Saturday, February 19, 2011

Person at Work - Attempt #1

Environment
Elizabeth Lampert of Coeur d’Alene, 21, is a waver at Liberty Tax Service at US
Highway 95 and Appleway.  She describes herself as high energy and enjoys her
four hour shifts alongside the highway drawing attention to the business and the
services it offers.

Medium
An avid hip hop fan, Elizabeth Lampert, 21, listens to Justin Timberlake
as she dances along US Highway 95 in a Statue of Liberty outfit on Saturday.
She does this three mornings a week, works at Kmart and studies
psychology at North Idaho College.

Detail Option 1
The caption for this photo is still in the works

Detail Option 2
Wavers like Elizabeth Lampert, 21, working for Liberty Tax Service, have worn a
muddy trail along US Highway 95 near Appleway dancing and waving to motorists
as they drive by.  Born in Plummer and now living in Coeur d’Alene, Lampert feels
the need to burn off extra energy dancing, working two jobs and going to college.

I need your input:
I think I over estimated the excitement of a roadside waver.  There are few options for variety besides varying camera angles of the same activity.  I thought I could get some shots of the gal getting into her outfit but that took two seconds in a closet.  So as it stands, I did the best I could.

The top environment photos seems just slightly soft so I may have to go back and try that one again.

The medium shot shows a problem I had all morning long: the shadow across her face from the baseball cap.  In the end I just went with it and did the best I could.

For the detail shot, I really had not idea what to try.  This really leads me to believe I should try something different entirely for my subject.  I tried getting pieces of her hat but that just looked strange.  So I thought since she dances for 4 hours straight in the mud I would focus on her feet for a bit.  I am not really sure if that adds an interesting detail or just looks like dirty shoes.  I think the latter.  As for the close up of her face, it really just shows her face with the crown.  I like the photo but am not sure it fits the bill.

I think my environmental shot is ok and I like my medium shot.  But my options for a detail shot are limited and I could use some other opinions to help figure out which to pick.

Thanks for your help!

Friday, February 18, 2011

Assigment Help

Good morning everyone!

I would appreciate any guidance and feedback you can provide regarding the pictures I took for the "person at work" assignment. I find my self challenged trying to match the linguistic definition of the overall environment vs its visual representation.


As I shared ad naseum, this shoot was rather challenging and transformative at the same time. The lighting source was fluorescent lights, and my knowledge of the tattoo culture non-existent. I really had to bump my ISO to a minimum of 2000 and as hard as I tried to include the PJ artistic elements, I had a difficult time managing basic elements such as my exposure. I am going back tomorrow to spend more quality time with my favorite tattoo artist--only one I know--and I want to make sure I do a better job on the second shoot.




Overall Shots




Medium Shots










Detail Shot










Thursday, February 17, 2011

Discussion photos relating to assignment

I came across this magazine article online about the 20 most dangerous jobs in America. It's really cool and there's some good ideas there. These two were my favorite photos from the slideshow.

What I like about the first one is they dynamic feel it has. I think the clouds, mixed with the waves and the raincoats all add dynamics to the picture. Also, I think the photographer's tilt with the camera works awesome in this one. The way the guy on the right is positioned it gives you the impression that the boat is rocking way back and forth and again adds dynamics and a feeling of danger and uneasiness in the photo. I remember learning in Phil's class how diagonals add dynamics, and I think this photo is proof of that. Normally it bugs me if the horizon in a picture like this isn't perfectly straight, but I think it works in this case.

The second picture appealed to me most because of its composition, perspective and the contrast between the red and the white. I think it's a good example of using color to make a photo more interesting and appealing.




#1, Fisherman

Image: Nick Hall / Aurora Photos

Fatalities: 129 per 100,000 workers
Reported Injuries: 61 per 100,000 workers
Salary: $27,950


















Recent tragedy
: In January 2009, lifelong fisherman Bill Meldrum departed from the New Jersey coast to fish for flounder and yellowtail on the 65-foot Lydia J. Meldrum's legs got caught in one of the boat's pulleys and he died after going into shock from blood loss. At the time of his death he was 53 years old and had been married just five months to Isabel Meldrum, who told the Asbury Park Press that he was known for his devotion to other fisherman. "I can remember him coming home from work one night and saying, 'Let's go to Wal-Mart and get boots,'" she said. "He bought three pairs. He gave them to workers he had seen that morning that were tying plastic bags around their feet to keep dry."


#19, Animal slaughterers

Image: Getty Images


Fatalities: 2 per 100,000 workers
Reported Injuries: 1 per 100,000 workers
Salary: $27,200
















Recent tragedy: While worker deaths at animal slaughterhouses are comparatively low, reported injuries can be severe and may go unreported, according to activists. At least 24 workers at Minnesota, Indiana, and Nebraska slaughterhouses developed complex neurological problems from inhaling bits of pig brain, researchers found in 2008. One slaughterhouse employee told Human Rights Watch, "I think I have an allergic reaction to hogs. But I'm afraid to say anything about this because I'm afraid they will fire me."

Here's the web address: http://www.thedailybeast.com/galleries/1500/1/?redirectURL=http://www.thedailybeast.com/blogs-and-stories/2010-04-08/the-20-most-dangerous-jobs/

These pictures also brought up a question to me that I'll ask Jerome if he doesn't respond to it on here. Can we have more than one person in the overall shot? For instance, the butcher shop overall photo has several people in it but I feel like it's crucial to cover the overall picture of what the workplace is about. Even the first photo seems like it needed both of the guys in it to capture the overall job.

Tuesday, February 15, 2011

Danielle



These are two pictures I took for the portrait assignment. I wanted to capture part of the loneliness or sadness dealing with effects of alcohol. I think that I really might not like the second photo? I cant figure out if they way her face is turned so much is a bad thing or if it works. Yeah, no i don't like the second one=] I liked the first photo more because of what she is doing, the sunken look of her face, the crap on the table and the rays of light in the right corner. However, I'm also not so sure on the yellow/orange tint of the photos-think it would have looked better if I didn't do that. The first one might be ok but the second is just too much. What do you guys think?

Hello?

Since our last class six days ago there has been one comment and no posts by others at all. 
This is no fun without you.

:-(

Discussion Photos

This photo won Ed 3rd prize in the National Press Photographers
Association's Best of Photojournalism awards in 2009.

"Ta-Bo, a 45-year-old engineer, reads anime in the company of his anatomically
 correct love dolls, which he uses for companionship and sex, in his apartment in Tokyo.
According to him, real women are too much trouble because they are expensive, high
maintenance, and often unfaithful." (Source: bob.nppa.org)


This photo made available by World Press Photo in Amsterdam, Netherlands,
Friday, Feb, 12, 2010, shows the first prize in the Contemporary Issues Stories
category of the 2010 World Press Photo contest. The photo, by American
photographer Eugene Richards, Reportage by Getty Images for The Sunday
Times Magazine/Paris Match, is named "War Is Personal, USA."

Credit: AP Photo/Eugene Richards, Reportage by Getty Images for The Sunday
 Times Magazine/Paris Match


Why I picked these photos:
I picked these photos for one simple reason this week.  Due to our current assignment, I have been thinking about access to the details and moments in people's lives and how we, as photographers, get permission from the subjects to be a part of their intimate moments and document them.  The caption for the first photo is also a great example of the who, what, where and why components we talked about two weeks ago.

Both of these photos are award winning and have several interesting aspects to them that help tell a story.  But the simple fact that a photographer was able to take the photo without paparazzi techniques amazes me and has me thinking about my approach to communicating with others in light of what we have discussed in class.

Sunday, February 13, 2011

Habitat for Humanity

WD and I were also roped into covering this fundraiser for Habitat for Humanity on Saturday.  It was very tricky also and, most frustrating of all, we were given very specific instructions to take photos that were posed and included various important people, board members and staff members.  Shoot this table, shoot that group, get him, get her.  We had very little chance and time to attempt anything photojournalistic as a result.  It was exhausting.  We were also asked not to take photos during dinner.  But again, we did the best we could and we hope they like the results.

Again, due to lighting, most of these photos were shot between f/2.8-3.2, at ISO6400 with very slow shutter speeds so there is some motion blur and a lot of graininess.

To see more, visit:  http://abraunlichaoteandh4h.blogspot.com/

Click on photo to enlarge

Rees Bybee and Margie Browning inspect auction items on Saturday at a fundraiser
for Habitat for Humanity at the Coeur d'Alene Inn on Appleway.  They were among the
many generous attendees at the event that raises money to build homes for the needy.

While attending the Habitat for Humanity event on Saturday evening, Melinda Wall
 inspects a wall of donated firearms.  All items were auctioned off to raise money
to build homes for struggling families in our area.

Jim and Nancy Clampet - No caption here. 
How many times can I say the same thing over and over again?

Rick Sparing of Integrity Benefit Auctions jokes with Cindy Jordan and Bart Kleng
during a game of Heads or Tails in the Coeur d'Alene Inn on Saturday.  The event,
 hosted as a fundraiser by Habitat for Humanity, provided a great time for those
attending while helping those in need.  The money raised will be used to build houses
in our area for the under privileged.

KLXY's Robyn Nance shows a painting to the attendees of Saturday's Habitat For
Humanities fundraiser at the Coeur d'Alene Inn on Appleway.  The painting and other items
were donated to the event to be auctioned off to raise money for the organization that builds
homes for the needy.

Barbra Tennery raises her hand to place a winning bit on Saturday at the Habitat for
Humanity fundraiser at the Coeur d'Alene Inn.  Item donated were auctioned off to
help raise funds to build homes for those that could not otherwise afford one in our area.


Now I really hate captions!

Art on the Edge

Many of you know WD Wegner from other photograpghy classes.  The two of us volunteered to shoot photos at Riverstone on Saturday morning for the people from Sorenson Elementary School that put on the event.  There was lots of chaos, very poor light and many other challenges.  We were there for three and a half hours and did the best we could.  I hope you enjoy the results.

I took about 200 photos and am trying to figure out which one is my single best shot but I stuggle with picking "the one".  This is as far down as I could edit without further input.  I am working hard on this and would appriciate your thoughts.

Yes, the photos are grainy.  Most were shot at between 5000-6400 ISO.

To see more, visit:  http://abraunlichaoteandh4h.blogspot.com/

Click on photo to enlarge